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LAURIE AMAT​/​JOHN TRUBEE Forgotten Afternoon

by LAURIE AMAT/JOHN TRUBEE

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1.
2.
SPANISH SUNSET EXDOCRIUS REDUX Copyright © 2015 John Trubee Published by ESCAPE FROM THE EVIL DWARVES, BMI The clouds and the surf and the sand and the sun And the wind and the sky since time had begun And the time and the time since the cosmos was one All the time O the time We stood on the shore by the edge of the sea And our time was all ours and our time was all free Until sunlight surrendered we sought shelter By the lee All the time O the time The night and the stars and the moon and the clouds Envelope our sleep as we doze in our shrouds Til the kingdom of night yields to the plow All the time O the time
3.
One Drop of Rain Copyright © 2015 John Trubee Published by ESCAPE FROM THE EVIL DWARVES, BMI One little droplet of rain Falls on the desert sand Two little droplets of rain Where once the arroyo ran Three little droplets of rain Nature weeping blood Four little droplets of rain Intimate a flood Oh--------- The sky is crying Oh--------- The old things die One drop of rain It changes all the world Five little droplets of rain Soon the dam will break Six little droplets of rain A mighty river make Seven little droplets of rain Sweep the debris away Eight little droplets of rain Evoke a bright new day Oh--------- The sky is crying Oh--------- The old things die One drop of rain It changes all the world
4.
The Good Times Are Over Copyright © 2015 John Trubee Published by ESCAPE FROM THE EVIL DWARVES, BMI The good times are over What more can we do? 'Cept to shed a tear And smile awhile 'Til all this is through The chairs are on the tables They turn the lights on You stumble drunk And glassy-eyed Out into the dawn And though I be crazy And yes, quite insane I won't let those mofos Destroy my brain The good times are over Your friends are all dead What all remains are memories That swirl through your head The laughter, the revelry The music at end We sob and gesticulate Our clothes we do rend The wine and the whiskey The bourbon and beer Spur our urge to micturate And coalesce into tears And though I be crazy And yes, quite insane I won't let those mofos Destroy my brain The chairs are on the tables They turn the lights on You stumble drunk And glassy-eyed Out into the dawn
5.
ONE MORE DAY 06:39

about

In September, 2015 after a gig at a BAY VIEW BOAT CLUB in San Francisco, a private club, pal Mike Dingle who sponsored the event, stuck a classical nylon string guitar in my hand, encouraging me to play it. He had bought it at a thrift shop for $40. It sounded beautiful, played beautifully, and it possessed a great "feel" to it. I had long loved classical guitar music and Flamenco music and had longed for the longest time to acquire such a guitar for myself.

I started obsessing about acquiring one and recording some of my unrecorded tunes with Laurie Amat, a fantastic singer who works on my recording projects. I found a cheap $60 nylon string guitar at a local music store and snagged it immediately. It was the cheapest one in the store and only one I could afford. Around this time Laurie made me aware that she'd be in San Francisco for a week, on a gig tour from her home base in Provincetown, Rhode Island. I rarely get to see or work with Laurie. She possesses the most amazing singing voice and incredible technical vocal skills from a lifetime of study of the art and craft of it. I asked her if she could come up to Santa Rosa for an afternoon to record several tunes that had been eating wormholes in my head for years. She agreed to come up on October 20th.

We'd record at Don Campau's Lonely Whistle Studio--essentially some recording equipment set up in his garage at home.

I prepared music lead sheets and lyrics sheets for Laurie, honing them in my spare hours on my days off and after work. Then I emailed them as attachments to her for her to study. Laurie appeared on October 20th, we drove over to Don's home studio in the Bennett Valley section of Santa Rosa, and spent the afternoon recording the works. I insisted that both the guitar and Laurie's vocals be recorded in real stereo with 2 mics. A stereo image, even on a single sound source, provides a much richer recording, a spatial ambiance and a warmth missing when sound sources are recorded in mono.


We recorded my guitar tracks first, then Laurie recorded her parts to them. She invented all the vocal parts, harmonies, and ideas in the vocal arrangements. She worked off the melodies I provided in the lead sheets and the words from my lyrics sheets.

We had no rehearsal time, we simply knocked this out in several hours on that afternoon. My guitar parts were simple. I heard these tunes in my head for years. Laurie is a consummate professional, an imaginative singer with a quick mind. She simply fleshed out her parts from my basic ideas. A couple of times I tried humming the melody to her based on the lead sheets
I had written, but she quickly shushed me up because it distracted her concentration and the sound of the music as she was hearing it in her head. I always let her work how she sees fit because her vocal ideas are much more fantastic than anything I could ever hope to contrive.

Three of the tunes are admittedly very short. I simply wanted to HEAR them, get them out of my head, playing a basic verse-chorus-verse-chorus. I am not recording an album, had very limited time and money, and I was seeking to impress no one. I wanted to hear my songs in the real world for once rather then spinning endlessly in my head.

The next day I returned back to Don's studio alone and dubbed in simple percussion and bass on THE GOOD TIMES ARE OVER and bass and fuzz guitar on SPANISH SUNSET EXDOCRIUS REDUX. I am not 100% satisfied with my dubbed parts on the latter tune. I hope to dub improved versions of them at some future time. In the interim, longtime UGLY JANITORS OF AMERICA bassist Jack Vees--established composer, music faculty member at Yale University, and author of THE BOOK ON BASS HARMONICS--provided bass parts for the tunes via file sharing on email.

At some point I will complete the final touches on these tracks, but I really enjoy the results as they sound now.

The purpose of recording these tunes was:

(A) To HAVE FUN

(B) To take advantage of Laurie Amat's terrifying vocal
skills for the brief time she was in the area

and

(C) Excrete song ideas that have run ruts in my mind for years, driving me crazy.


Once I record my songs, I no longer hear them in my head, and new songs supersede them to continue to drive me crazy. I strongly regret not possessing the time and resources to more frequently record my multitude of song ideas. This is the terrible struggle of my life--somehow getting all this music out of my head before I am dead while I am continually enervated and depleted from my full-time workaday job routine.

credits

released October 21, 2015

LAURIE AMAT/JOHN TRUBEE
Forgotten Afternoon

1 One Drop of Rain
2 Man of Action
3 Spanish Sunset Exdocrius Redux
4 The Good Times Are Over

Vocals and vocal arrangements by Laurie Amat
Guitars and percussion by John Trubee

Engineered by Don Campau
Recorded October 20 and 21, 2015
Lonely Whistle Studio
Santa Rosa, California, USA

Produced by John Trubee

All songs composed by John Trubee
Published by
ESCAPE FROM THE EVIL DWARVES, BMI
Copyright © 2015 John Trubee

TRUBEE RECORDS
PO Box 4921
Santa Rosa, CA 95402 USA
johntrb09@gmail.com
www.johntrubee.com

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